~*~February Book Club Suggestions~*~

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Registered: 09-26-2003
~*~February Book Club Suggestions~*~
25
Tue, 01-23-2007 - 10:10pm

**Just a reminder that hopefully everyone can complete their books by the end of the month!


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Registered: 05-15-2005
Wed, 01-24-2007 - 6:51pm

A couple I looked at today - I'd prefer to read a book no one has already read, it makes it much more exciting knowing all of you are discovering it at the same time as I am!

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Registered: 03-02-2006
Wed, 01-24-2007 - 6:56pm

All those sound like interesting books to me Lolly. I also like the idea of a once a month discussion.


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Registered: 05-15-2005
Wed, 01-24-2007 - 6:57pm

LOL just got off the IM with my sister and she suggests


The Historian by Elizabeth Kostova


If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula--Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century--was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.


Never Let Me Go by Kazuo Ishiguro

From the Booker Prize-winning author of The Remains of the Day comes a devastating new novel of innocence, knowledge, and loss. As children Kathy, Ruth, and Tommy were students at Hailsham, an exclusive boarding school secluded in the English countryside. It was a place of mercurial cliques and mysterious rules where teachers were constantly reminding their charges of how special they were.

Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special–and how that gift will shape the rest of their time together. Suspenseful, moving, beautifully atmospheric, Never Let Me Go is another classic by the author of The Remains of the Day



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Registered: 05-15-2005
Wed, 01-24-2007 - 7:12pm

Just thought I'd post blurbs from the books that have been suggested - so we know what they are about...


Secret Life of Bees by Sue Monk Kidd


In Sue Monk Kidd's The Secret Life of Bees, 14-year-old Lily Owen, neglected by her father and isolated on their Georgia peach farm, spends hours imagining a blissful infancy when she was loved and nurtured by her mother, Deborah, whom she barely remembers. These consoling fantasies are her heart's answer to the family story that as a child, in unclear circumstances, Lily accidentally shot and killed her mother. All Lily has left of Deborah is a strange image of a Black Madonna, with the words "Tiburon, South Carolina" scrawled on the back. The search for a mother, and the need to mother oneself, are crucial elements in this well-written coming-of-age story set in the early 1960s against a background of racial violence and unrest. When Lily's beloved nanny, Rosaleen, manages to insult a group of angry white men on her way to register to vote and has to skip town, Lily takes the opportunity to go with her, fleeing to the only place she can think of--Tiburon, South Carolina--determined to find out more about her dead mother. Although the plot threads are too neatly trimmed, The Secret Life of Bees is a carefully crafted novel with an inspired depiction of character. The legend of the Black Madonna and the brave, kind, peculiar women who perpetuate Lily's story dominate the second half of the book, placing Kidd's debut novel squarely in the honored tradition of the Southern Gothic.


The Mermaid Chair by Sue Monk Kidd


Sue Monk Kidd's The Mermaid Chair is the soulful tale of Jessie Sullivan, a middle-aged woman whose stifled dreams and desires take shape during an extended stay on Egret Island, where she is caring for her troubled mother, Nelle. Like Kidd's stunning debut novel, The Secret Life of Bees, her highly anticipated follow up evokes the same magical sense of whimsy and poignancy. While Kidd places an obvious importance on the role of mysticism and legend in this tale, including the mysterious mermaid's chair at the center of the island's history, the relationships between characters is what gives this novel its true weight. Once she returns to her childhood home, Jessie is forced to confront not only her relationship with her estranged mother, but her other emotional ties as well. After decades of marriage to Hugh, her practical yet conventional husband, Jessie starts to question whether she is craving an independence she never had the chance to experience. After she meets Brother Thomas, a handsome monk who has yet to take his final vows, Jessie is forced to decide whether passion can coexist with comfort, or if the two are mutually exclusive. As her soul begins to reawaken, Jessie must also confront the circumstances of her father's death, a tragedy that continues to haunt Jessie and Nelle over thirty years later.


The Red Tent by Anita Diamant

The red tent is the place where women gathered during their cycles of birthing, menses, and even illness. Like the conversations and mysteries held within this feminine tent, this sweeping piece of fiction offers an insider's look at the daily life of a biblical sorority of mothers and wives and their one and only daughter, Dinah. Told in the voice of Jacob's daughter Dinah (who only received a glimpse of recognition in the Book of Genesis), we are privy to the fascinating feminine characters who bled within the red tent. In a confiding and poetic voice, Dinah whispers stories of her four mothers, Rachel, Leah, Zilpah, and Bilhah--all wives to Jacob, and each one embodying unique feminine traits. As she reveals these sensual and emotionally charged stories we learn of birthing miracles, slaves, artisans, household gods, and sisterhood secrets. Eventually Dinah delves into her own saga of betrayals, grief, and a call to midwifery.

The Kite Runner by Khaled Hasseini


In his debut novel, The Kite Runner, Khaled Hosseini accomplishes what very few contemporary novelists are able to do. He manages to provide an educational and eye-opening account of a country's political turmoil--in this case, Afghanistan--while also developing characters whose heartbreaking struggles and emotional triumphs resonate with readers long after the last page has been turned over. And he does this on his first try. The Kite Runner follows the story of Amir, the privileged son of a wealthy businessman in Kabul, and Hassan, the son of Amir's father's servant. As children in the relatively stable Afghanistan of the early 1970s, the boys are inseparable. They spend idyllic days running kites and telling stories of mystical places and powerful warriors until an unspeakable event changes the nature of their relationship forever, and eventually cements their bond in ways neither boy could have ever predicted. Even after Amir and his father flee to America, Amir remains haunted by his cowardly actions and disloyalty. In part, it is these demons and the sometimes impossible quest for forgiveness that bring him back to his war-torn native land after it comes under Taliban rule. ("...I wondered if that was how forgiveness budded, not with the fanfare of epiphany, but with pain gathering its things, packing up, and slipping away unannounced in the middle of the night.")


Reading Lolita in Tehran by Azar Nafisi


An inspired blend of memoir and literary criticism, Reading Lolita in Tehran is a moving testament to the power of art and its ability to change and improve people's lives. In 1995, after resigning from her job as a professor at a university in Tehran due to repressive policies, Azar Nafisi invited seven of her best female students to attend a weekly study of great Western literature in her home. Since the books they read were officially banned by the government, the women were forced to meet in secret, often sharing photocopied pages of the illegal novels. For two years they met to talk, share, and "shed their mandatory veils and robes and burst into color." Though most of the women were shy and intimidated at first, they soon became emboldened by the forum and used the meetings as a springboard for debating the social, cultural, and political realities of living under strict Islamic rule. They discussed their harassment at the hands of "morality guards," the daily indignities of living under the Ayatollah Khomeini's regime, the effects of the Iran-Iraq war in the 1980s, love, marriage, and life in general, giving readers a rare inside look at revolutionary Iran. The books were always the primary focus, however, and they became "essential to our lives: they were not a luxury but a necessity," she writes.


Bookseller of Kabul by Asne Seierstad


After living for three months with the Kabul bookseller Sultan Khan in the spring of 2002, Norwegian journalist Seierstad penned this astounding portrait of a nation recovering from war, undergoing political flux and mired in misogyny and poverty. As a Westerner, she has the privilege of traveling between the worlds of men and women, and though the book is ostensibly a portrait of Khan, its real strength is the intimacy and brutal honesty with which it portrays the lives of Afghani living under fundamentalist Islam. Seierstad also expertly outlines Sultan's fight to preserve whatever he can of the literary life of the capital during its numerous decades of warfare (he stashed some 10,000 books in attics around town). Seierstad, though only 31, is a veteran war reporter and a skilled observer; as she hides behind her burqa, the men in the Sultan's family become so comfortable with her presence that she accompanies one of Sultan's sons on a religious pilgrimage and witnesses another buy sex from a beggar girl-then offer her to his brother. This is only one of many equally shocking stories Seierstad uncovers. In another, an adulteress is suffocated by her three brothers as ordered by their mother. Seierstad's visceral account is equally seductive and repulsive and resembles the work of Martha Gellhorn. An international bestseller, it will likely stand as one of the best books of reportage of Afghan life after the fall of the Taliban.


Angry Housewives eating Bon Bons by Lorna Landvik


Five friends live through three decades of marriages, child raising, neighborhood parties, bad husbands and good brownies-and Landvik (Patty Jane's House of Curl) doesn't miss a single cliche as she chronicles their lives in this pleasant but wholly familiar novel of female bonding. When Faith Owens's husband is transferred from Texas to the "stupid godforsaken frozen tundra" of Freesia Court, Minn., in 1968, her life looks like it's going to be one dull, snowy slog-until the power goes out one evening and a group of what appear to be madwomen start a snowball fight in her backyard. These dervishes turn out to be her neighbors: antiwar activist Slip; sexpot Audrey; painfully shy Merit; and widow Kari. They become fast friends and decide to escape their humdrum routine by starting the Freesia Court Book Club, later given the eponymous name by one of their disgruntled husbands. As the years pass, Audrey and Merit get divorced, Kari adopts her niece's illegitimate baby, all five of the women find work outside their homes and they even smoke a joint together. Their personal dramas are regularly punctuated by reflections on political milestones ("First Martin Luther King, Jr., then Bobby Kennedy. As if we didn't have enough to worry about with this stupid war..."). While some scenes are touching and genuinely funny, readers of Fannie Flagg, Rita Mae Brown, Rebecca Wells and many imitators will feel that they've seen this before.


Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire


With a husky voice and a gentle, dramatic manner that will call to mind the image of a patient grandfather reading to an excited gaggle of children, McDonough leisurely narrates this fantastical tale of good and evil, of choice and responsibility. In Maguire's Oz, Elphaba, better known as the Wicked Witch of the West, is not wicked; nor is she a formally schooled witch. Instead, she's an insecure, unfortunately green Munchkinlander who's willing to take radical steps to unseat the tyrannical Wizard of Oz. Using an appropriately brusque voice for the always blunt Elphaba, McDonough relates her tumultuous childhood (spent with an alcoholic mother and a minister father) and eye-opening school years (when she befriends her roommate, Glinda). McDonough's pacing remains frustratingly slow even after the plot picks up, and Elphaba's protracted ruminations on the nature of evil will have some listeners longing for an abridgement. Still, McDonough's excellent portrayals of Elphaba's outspoken, gravel-voiced nanny, Glinda's snobbish friends and the wide-eyed, soft-spoken Dorothy make this excursion to Oz worthwhile.


Memoirs of a Geisha by Arthur Golden


According to Arthur Golden's absorbing first novel, the word "geisha" does not mean "prostitute," as Westerners ignorantly assume--it means "artisan" or "artist." To capture the geisha experience in the art of fiction, Golden trained as long and hard as any geisha who must master the arts of music, dance, clever conversation, crafty battle with rival beauties, and cunning seduction of wealthy patrons. After earning degrees in Japanese art and history from Harvard and Columbia--and an M.A. in English--he met a man in Tokyo who was the illegitimate offspring of a renowned businessman and a geisha. This meeting inspired Golden to spend 10 years researching every detail of geisha culture, chiefly relying on the geisha Mineko Iwasaki, who spent years charming the very rich and famous. The result is a novel with the broad social canvas (and love of coincidence) of Charles Dickens and Jane Austen's intense attention to the nuances of erotic maneuvering. Readers experience the entire life of a geisha, from her origins as an orphaned fishing-village girl in 1929 to her triumphant auction of her mizuage (virginity) for a record price as a teenager to her reminiscent old age as the distinguished mistress of the powerful patron of her dreams. We discover that a geisha is more analogous to a Western "trophy wife" than to a prostitute--and, as in Austen, flat-out prostitution and early death is a woman's alternative to the repressive, arcane system of courtship. In simple, elegant prose, Golden puts us right in the tearoom with the geisha; we are there as she gracefully fights for her life in a social situation where careers are made or destroyed by a witticism, a too-revealing (or not revealing enough) glimpse of flesh under the kimono, or a vicious rumor spread by a rival "as cruel as a spider."


Life of Pi by Yann Martel

Yann Martel's imaginative and unforgettable Life of Pi is a magical reading experience, an endless blue expanse of storytelling about adventure, survival, and ultimately, faith. The precocious son of a zookeeper, 16-year-old Pi Patel is raised in Pondicherry, India, where he tries on various faiths for size, attracting "religions the way a dog attracts fleas." Planning a move to Canada, his father packs up the family and their menagerie and they hitch a ride on an enormous freighter. After a harrowing shipwreck, Pi finds himself adrift in the Pacific Ocean, trapped on a 26-foot lifeboat with a wounded zebra, a spotted hyena, a seasick orangutan, and a 450-pound Bengal tiger named Richard Parker ("His head was the size and color of the lifebuoy, with teeth"). It sounds like a colorful setup, but these wild beasts don't burst into song as if co-starring in an anthropomorphized Disney feature. After much gore and infighting, Pi and Richard Parker remain the boat's sole passengers, drifting for 227 days through shark-infested waters while fighting hunger, the elements, and an overactive imagination. In rich, hallucinatory passages, Pi recounts the harrowing journey as the days blur together, elegantly cataloging the endless passage of time and his struggles to survive: "It is pointless to say that this or that night was the worst of my life. I have so many bad nights to choose from that I've made none the champion."

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Registered: 05-15-2005
Wed, 01-24-2007 - 7:24pm

Blurbs continued


The Birth House by Ami McKay

Canadian radiojournalist McKay was unable to ferret out the life story of late midwife Rebecca Steele, who operated a Nova Scotia birthing center out of McKay's Bay of Fundy house in the early 20th century; the result of her unsatisfied curiousity is this debut novel. McKay writes in the voice of shipbuilder's daughter, Dora Rare, "the only daughter in five generations of Rares," who as a girl befriends the elderly and estranged Marie Babineau, long the local midwife (or traiteur), who claims to have marked Dora out from birth as her successor. After initial reluctance and increasingly intensive training, 17-year-old Dora moves in with Marie; on the eve of Dora's marriage to Archer Bigelow, Marie disappears, leaving Dora her practice. A difficult marriage, many difficult births, a patient's baby thrust on her to raise without warning and other crises (including WWI and the introduction of "clinical" birthing methods) ensue. Period advertisments, journal entries and letters to and from various characters give Dora's voice context. The book is more about the texture of Dora's life than plot, and McKay handles the proceedings with winning, unsentimental care.

The Long Way Down by Nick Hornby

If Camus had written a grown-up version of The Breakfast Club, the result might have had more than a little in common with Hornby's grimly comic, oddly moving fourth novel. The story opens in London on New Year's Eve, when four desperate people—Martin, a publicly disgraced TV personality; Maureen, a middle-aged woman with no life beyond caring for her severely disabled adult son; Jess, the unstable, punked-out daughter of a junior government minister; and JJ, an American rocker whose music career has just ended with a whimper—meet on the roof of a building known as Toppers' House, where they have all come to commit suicide. Bonded by their shared misery, the unlikely quartet spends the night together, telling their stories, getting on each others' nerves even as they save each others' lives. They part the following morning, aware of having formed a peculiar sort of gang. As Jess reflects: "When you're sad—like, really sad, Toppers' House sad—you only want to be with other people who are sad."It's a bold setup, perilously high-concept, but Hornby pulls it off with understated ease. What follows is predictable in the broadest sense—as the motley crew of misfits coalesces into a kind of surrogate family, each individual takes a halting first step toward creating a tolerable future—but rarely in its particulars. Allowing the four main characters to narrate in round-robin fashion, Hornby alternates deftly executed comic episodes—an absurd brush with tabloid fame, an ill-conceived group vacation in the Canary Islands, a book group focused on writers who have committed suicide, a disastrous attempt to save Martin's marriage—with interludes of quiet reflection, some of which are startlingly insightful. Here, for example, is JJ, talking about the burden of understanding that he no longer wants to kill himself: "In a way, it makes things worse, not better.... Telling yourself life is s*** is like an anesthetic, and when you stop taking the Advil, then you really can tell how much it hurts, and where, and it's not like that kind of pain does anyone a whole lot of good."While the reader comes to know all four characters well by the end of the novel, it's Maureen who stands out. A prim, old-fashioned Catholic woman who objects to foul language, Maureen is, on the surface, the least Hornbyesque of characters. Unacquainted with pop culture, she has done nothing throughout her entire adult life except care for a child who doesn't even know she's there and attend mass. As she says, "You know that things aren't going well for you when you can't even tell people the simplest fact about your life, just because they'll presume you're asking them to feel sorry for you." Hornby takes a Dickensian risk in creating a character as saintly and pathetic as Maureen, but it pays off. In her own quiet way, she's an unforgettable figure, the moral and emotional center of the novel. This is a brave and absorbing book. It's a thrill to watch a writer as talented as Hornby take on the grimmest of subjects without flinching, and somehow make it funny and surprising at the same time. And if the characters occasionally seem a little more eloquent or self-aware than they have a right to be, or if the novel turns just the tiniest bit sentimental at the end, all you can really fault Hornby for is an act of excessive generosity, an authorial embrace bestowed upon some characters who are sorely in need of a hug

The Interruption of Everything by Terry McMillan


Terry McMillan's sixth novel, The Interruption of Everything, is every bit as enthralling and empowering as her earlier hits Waiting to Exhale and A Day Late and a Dollar Short. However, as McMillan matures as an author, her characters follow suit, which leads her to a wiser, more introspective lead character in the form of Marilyn Grimes. Our reward, as readers, is a tale of midlife crisis, mixed with family and personal drama, all told in the witty, honest, and inspiring style we've come to expect from this seasoned storyteller. As Marilyn approaches middle-age, we follow her struggle to discover herself outside the constraints of a passionless marriage, a demanding family and an ever-growing list of dreams deferred. With three children in college, a husband who suffers from destructive professional and personal inertia, a demanding mother-in-law, a senile mother and a drug-addicted sister, Marilyn has more on her plate than she expected at this stage of the game. Torn between taking care of her friends and family and attending to her own needs, she's faced with choices, like deciding to finish her graduate degree, that never before seemed hers to make. Along the way, supporting characters like Marilyn's feisty little niece and supportive-yet-opinionated best friends Paulette and Bunny add humor and depth to our heroine's character. And as always, McMillan does a flawless job of incorporating humor into even the most traumatic situations, as evidenced by a scene in which Marilyn ends up babysitting her hairdresser's children while waiting twelve hours for new braids.


Blue Diary by Alice Hoffman

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iVillage Member
Registered: 09-26-2003
Thu, 01-25-2007 - 12:04am

Once a month discussion works!


And WOW, the books we have to pick from already!


Keep up the suggestions and I will have Lolly give us 3 books and we will take


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Registered: 10-12-2005
Thu, 01-25-2007 - 12:28am

You all might enjoy the book The Glass Castle. Here is a review of it from Amazon.com

Jeannette Walls's father always called her "Mountain Goat" and there's perhaps no more apt nickname for a girl who navigated a sheer and towering cliff of childhood both daily and stoically. In The Glass Castle, Walls chronicles her upbringing at the hands of eccentric, nomadic parents--Rose Mary, her frustrated-artist mother, and Rex, her brilliant, alcoholic father. To call the elder Walls's childrearing style laissez faire would be putting it mildly. As Rose Mary and Rex, motivated by whims and paranoia, uprooted their kids time and again, the youngsters (Walls, her brother and two sisters) were left largely to their own devices. But while Rex and Rose Mary firmly believed children learned best from their own mistakes, they themselves never seemed to do so, repeating the same disastrous patterns that eventually landed them on the streets. Walls describes in fascinating detail what it was to be a child in this family, from the embarrassing (wearing shoes held together with safety pins; using markers to color her skin in an effort to camouflage holes in her pants) to the horrific (being told, after a creepy uncle pleasured himself in close proximity, that sexual assault is a crime of perception; and being pimped by her father at a bar). Though Walls has well earned the right to complain, at no point does she play the victim. In fact, Walls' removed, nonjudgmental stance is initially startling, since many of the circumstances she describes could be categorized as abusive (and unquestioningly neglectful). But on the contrary, Walls respects her parents' knack for making hardships feel like adventures, and her love for them--despite their overwhelming self-absorption--resonates from cover to cover. --Brangien Davis --This text refers to the Hardcover edition.

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Registered: 10-12-2005
Thu, 01-25-2007 - 1:01am
I just ordered a book called Running with Scissors, A memoir. It sounds great and I can't wait to get it. Maybe everyone would find that one interesting.
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Registered: 03-25-2003
Thu, 01-25-2007 - 9:42am

That book just was made into a movie....the book is actually relatively old, at least 3 yrs & there are a couple sequels to it out. (Didn't mean to throw cold water on ur suggestion here though)

-- Ang

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iVillage Member
Registered: 03-25-2003
Thu, 01-25-2007 - 10:19am

I personally found The Historian hard to get started but then maybe it was because I was reading it at Rach's basketball practices ;-)

What about one of Jodi Picoult's books...she always has topics that make me think like in My Sister's Keeper. Altho I haven't read her latest The Tenth Circle -- might not be a topic that some would care to read about.

-- Ang

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