Vaughn....

iVillage Member
Registered: 02-06-2006
Vaughn....
3
Sat, 02-25-2006 - 4:16pm

Vaughn....

Vaughn William
Vaughn Hector
Don't like Vaughn as a FN
FYI Both MN are Family Names :)

You will not be able to change your vote.




Edited 2/27/2006 8:47 pm ET by jj3104
iVillage Member
Registered: 02-22-2005
In reply to: jj3104
Mon, 02-27-2006 - 6:53pm
Vaughn William reminds me of Ralph Vaughan Williams, a famous modern composer, but otherwise I like Vaughn William, if you don't mind the comparison (he was a good composer, LOL!)
iVillage Member
Registered: 02-06-2006
In reply to: jj3104
Mon, 02-27-2006 - 8:46pm
That is so interesting because Ralph is a family name and we have considered using Ralph as a mn for other names, but for some reason I didn't put it as an option for Vaughn! Thanks for the information, and as long as you say he was a good composer, I wouldn't mind the comparision! LOL :)
iVillage Member
Registered: 02-22-2005
In reply to: jj3104
Tue, 02-28-2006 - 4:36pm

Maybe he is a relative! Is your family from England? Here is some info from Yahoo!

Vaughan Williams, Ralph

1872—1958, English composer, considered the outstanding composer of his generation in England. He graduated from Trinity College, Cambridge, in 1894 and studied composition with Parry and Stanford at the Royal College of Music, London, as well as organ and piano with several teachers. Although he also studied abroad with Max Bruch (1897—98) and Ravel (1909), his style remained individual and English. Receiving a Doctorate in Music from Cambridge in 1901, he was appointed organist at Lambeth and his interest in English folk music dates from his stay there. He used the folk idiom first in the orchestral piece The Fen Country (1904), continuing the same style in the three orchestral Norfolk Rhapsodies (1905—7). Elements of English music of the Tudor period interested him and are apparent in his Fantasia for Double Stringed Orchestra on a Theme by Thomas Tallis (1910) and in his Mass in G Minor (1923). His full orchestral works include A London Symphony (1914; revised 1920), A Pastoral Symphony (1921), and the Sixth Symphony (1947). Among his many vocal compositions are the song cycles On Wenlock Edge (1909, texts by A. E. Housman) and Five Mystical Songs (1911, texts by George Herbert). In his opera Sir John in Love (1929; based on Shakespeare's Merry Wives of Windsor), he incorporated the traditional song "Greensleeves," which he also transformed into various instrumental arrangements. Other operas include Hugh the Drover (1924), Riders to the Sea (1937; from the play by J. M. Synge), and The Pilgrim's Progress (1951; libretto after John Bunyan).

See his National Music (1934) and The Making of Music (1955); biographies by J. Day (1961, rev. ed. 1966), U. V. Williams (1964), and pictorial biography by J. E. Lunn and U. V. Williams (1971); studies by E. S. Schwartz (1964), M. Kennedy (1964, repr. 1971), and H. Ottaway (1972).